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It
all started with "The late Stan 'the man' Szelest"
"The
late Stan
Szelest" (1943-1991) formed his own band in 1958 in Buffalo,
New York called
Stan and the Ravens. He later played piano in early 1960 in one of
Canada's top bands called, Ronnie Hawkins and the Hawks.
This was long before the Hawks became Bob Dylan's backup
group, the Band (Robbie
Robertson, "the late Rick Danko," Levon Helm, Garth Hudson, and "the late Richard
Manuel".
When Szelest left the Hawks in 1961 he returned to Western New
York and reformed his group, Stan
and the Ravens.
"The late Tom Calandra" (bass guitar) and
Gary Mallaber (drums) joined Stan and the Ravens after Pete Haskell
(bass guitar)
and Sandy Konikoff (drums)
departed.
Tony
Galla (vocalist, bass guitar, harmonica,
flute), John Weitz (lead guitar), and
Jim Calire
(piano/organ/sax/vocals)
were in their own band called, Tony Galla and the Rising Sons. They had a regional hit
on Swan Records (#4275) in the mid-60s entitled, In Love.
After Stan and the Ravens
split up in early 1967 Calandra and Mallaber joined Galla, Weitz, and
Calire in Tony Galla and The Rising Sons. After only a few gigs together they
eventually became the house band at the legendary Harry Altman's Glen Park Casino
(Inferno).
Tony
Galla and The Rising Sons
later changed their name to Raven
in 1968
prior
to moving to New York City.
____________________________
Marty
Angelo - discovers "Raven" locally
Marty Angelo
first heard Raven (Tony Galla and The Rising Sons)
in early 1967 when he
played piano and organ in
his own band, Shakey's Blues Band. They
appeared with Raven at the Grandview Ballroom in Angola, New York, a
suburb of Buffalo. This was one of the newly re-formed Raven's
first gigs together. Angelo was impressed with their talent and surprised
they were not more successful.
Angelo
eventually became Raven's personal manager. He knew in order for the
group to truly become a successful band, they needed national
exposure. He concentrated all of his efforts to get Raven bookings
outside of the Buffalo, New York area and signed to a recording contract
with a major record
company. Angelo writes more about Raven in his book, Once
Life Matters: A New Beginning.
____________________________
"The
late Jimi
Hendrix" - discovers "Raven" nationally
Rock and
Roll legend, "the late Jimi Hendrix" had a hand in Raven's
potential national success. Raven manager, Marty Angelo met him in
1968 while trying to arrange a booking for
the band at
Steve Paul's
Scene in New York City.
Angelo personally played
Hendrix the same "live" tape recording he later sent to Beatle, "the
late George Harrison."
Hendrix
enjoyed the tape so much he persuaded the reluctant club owner,
Steve Paul (at one time was
"the late Tiny
Tim's" and Johnny and Edgar Winter's personal manager)
to book Raven into his famed nightspot. Hendrix and his
business partner, Eddie Kramer, later expressed an interest in
producing Raven for their Electric Ladyland Production Company.
Angelo writes more about his
experience with Hendrix in his book, Once
Life Matters: A New Beginning.
____________________________
"The
late George
Harrison" - discovers "Raven" internationally
Raven was
first discovered internationally by then Beatle, "the late George
Harrison." In 1968, Harrison was sent a live tape recording of the band by Raven's personal manager,
Marty Angelo. Harrison liked the tape and sent a telegram to
Angelo expressing his desire to produce Raven for the
Beatles newly formed record label, Apple Records. Harrison's interest in
Raven is mentioned in a Beatles' tell-all book entitled, The
Longest Cocktail Party.
Angelo writes more about his experiences with Harrison and Apple Records in his book, Once
Life Matters: A New Beginning. ____________________________
Raven moves to Manhattan
Raven
eventually moved from Buffalo to New York City in 1968 and became the house band
at Steve Paul's Scene. They also
made appearances in numerous venues throughout the Manhattan area such as:
Bill
Graham's Fillmore East, appearing with Procol Harum and The
Byrds.
Andy
Warhol’s and Lou Reed's legendary Electric Circus appearing with the
Chambers Brothers and free speech and anti-war activists, Abbie
Hoffman and Jerry Rubin.
Weisglass
Stadium appearing
with The Rascals,
Savoy Brown, and Albert King.
The
Singer Bowl Music Festival appearing
with
The Paul Butterfield Blues Band and Muddy Waters.
Hunter
College appearing with Chuck Berry and
Terry Reid.
Village
Inn - appearing with Spooky Tooth.
Steve
Paul's Scene - various
appearances.
The
Revolution - appearing with Jethro Tull.
Ungano's
Nightclub - various appearances.
____________________________
"The
late Janis
Joplin"
It was at
Ungano's Nightclub in New York City in 1968 where the notorious rock
legend, "the late Janis Joplin" made her
famous attempt to secretly tape record Raven, prior to the group's
signing of a major recording contract. Marty Angelo writes more about this
experience in his book,
Once
Life Matters: A New Beginning.
Joplin
liked Raven so much that after she split up with her first band, Big
Brother and the Holding Company she tried to hire Jim Calire, the group's
pianist, for her new band, Kozmic Blues Band. Calire
turned down her offer, however Joplin was later convinced to hire
"the late Richard Kermode" (1946-1996), one of Western New York's well known
and highly respected jazz organists. Kermode went on to become very successful
touring and recording with Janis Joplin, Ned Doheny, Jorge Santana's Malo,
and Carlos Santana's Santana. Kermode died of cancer at the age of 49 on Jan. 16, 1996 in Denver, Colorado.
____________________________
National
Appearances
Raven
traveled extensively throughout the United States, prior to signing a
major recording contract. They appeared at various renowned underground concert
clubs such as: New York's Fillmore East, Boston's The Boston Tea Party, Chicago's
Aaron
Russo's Kinetic Playground, Chicago's Aragon Ballroom,
Detroit's Grande Ballroom, Cleveland's La Cave,
Toronto's Rockpile Club,
Detroit's East Town Theatre, Monticello's Revolution, Philadelphia's Electric Factory,
and many others.
Raven
also appeared nationwide at numerous other popular nightclubs, colleges, concert halls,
and on the prominent television shows, Cleveland's Upbeat
and Hershey Pennsylvania's The Show.
Raven performed at
Buffalo, New York's Kleinhans
Music Hall in 1970 which was recorded live but never publicly released.
Raven
was the one and only "electric" band to ever appear at the original Woodstock
Music Folk Festival.
____________________________
Columbia Records
Raven
finally signed a five-year recording contract with Columbia Records in
1969 after
turning down offers from "the late George Harrison" and Apple Records,
Electric Ladyland Productions, owned by "the late Jimi Hendrix" and Eddie
Kramer, and T-Neck Records, owned by the popular R&B band, the Isley
Brothers.
Raven
also turned down an offer from producer Lewis Merenstein, famous for his work with Van Morrison.
Merenstein eventually hired
original
Raven members, pianist "the late Stan Szelest," guitarist
Ernie Corallo, and percussionist Sandy Konikoff for his production of Garland Jeffery's
album, Grinders Switch.
Columbia
Records' distinguished producer, John Hill was influential in signing Raven
to a recording contract. Hill took a special interest in the band and
produced their first and only album for Columbia.
Ira
Blacker, a popular booking agent working for Associated Booking Corporation and attorney Miles Lourie, also helped solidify
Raven's deal with
Columbia Records. "The late Bill Graham" (Fillmore East) and Steve Paul
(The Scene) played a special role by believing in and booking
live appearances of Raven
before they even had a major recording contract.
____________________________
Led
Zeppelin and Jethro Tull
Raven
became so popular on the East Coast that English bands coming to the
United States asked for Raven to open their shows. Led
Zeppelin and Jethro Tull were two such groups.
Led
Zeppelin's lead guitar player, Jimmy Page stated after a gig they did
together in Boston, "Raven's
John Weitz is one of the best guitar players in the world."
Raven
tours England
Raven toured England in 1969 and performed at Lyceum
Ballroom, Marquee Club, Roundhouse, Bath Pavilion,
and
various concert halls.
____________________________
Raven
calls it
quits
The band
split up in 1970, walking away from personal five-year contracts
with manager Marty Angelo, Associated Booking Corporation, and Columbia Records.
Angelo made an attempt to keep Raven together by negotiating a
highly lucrative
production agreement with
"the late Tony Stratton-Smith," one of England's top rock 'n'
roll producers. Raven members turned down Smith's offer to pursue
individual careers.
____________________________
Raven Reunites
Raven
held reunion concerts in Buffalo, New York at the Tralfamadore Cafe on November
19, 1993
and November
29, 1996. Both
concerts were digitally recorded. The future of those tapes is
unknown.
____________________________
"The
late Tom
Calandra" (1941-1998)
Tom
Calandra (1941-1998) passed away suddenly in
1998. The remaining members of Raven do not plan any additional public
appearances together. "I
doubt if we will ever play together again as Raven," Tony Galla said. "Tommy
was the sound of Raven and without him it will never be the same."
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Discography
Single -
Upstate Records
(US 600-45)- 1968
A-Side:
There's Nothing Going For Us (James
Calire) - B-side:
I'm Feeling Down (Anthony
Galla) - a single, released in Buffalo, New
York on Upstate Records (US 600-45).
The name of the band at the time the song was recorded and released was Tony
Galla and The
Rising Sons. It was produced at Spectrum Sound Productions (owned
and operated by the members of Raven, manager Marty Angelo, and "the late Carl
La Macchia").
Album - Columbia Records
(CS 9903) - 1969
Columbia Records released one album entitled, Raven (CS
9903) Singles (2) -
Columbia
Records - 1969 - 1970
A-Side: Feeling Good
(T.
Calandra/J. Calire) B-Side:
Green Mountain
Dream (J.F. Calire)
A-Side: Children at Our Feet (T.
Calandra) B-Side:
Here
Come a Truck (J. Weitz) (4-45163
-ZSS
153490).
Album -
Discovery Records (36133) - 1969
Live
at the Inferno (Discovery
Records 36133) was released
shortly after Raven's Columbia album. This album was recorded live
in 1967 on a
two-track professional tape recorder at the world famous nightclub, the Glen
Park Inferno.
This album
was produced from the same tape Raven manager, Marty Angelo sent to "the late George Harrison" and the one
"the late Jimi
Hendrix" listened to at Steve Paul's Scene. It was not officially
released until critics
and band members complained they did not like the "studio sound"
of the Columbia LP. Many preferred the live raw energy sound Raven displayed while onstage
so the group decided to release Live at the Inferno.
The album
was mainly distributed locally in Buffalo, New York on Discovery Records.
The group brought 50 Inferno albums with them on their
British tour and gave them away to disc jockeys, nightclub owners, and fans.
Neither Raven album was officially released in England. Columbia
Records (UK) did release the single: Children at Our Feet.
____________________________
IMPORTANT
NOTE
Live at the Inferno
(Discovery Records - 36133)
IMPORTANT
NOTE: When searching for Raven's Live at the Inferno
album (Discovery Records - 36133)
please do not confuse the
"American" band Raven with the "British" band The
Raven, who also has an album
entitled, Live at the Inferno (Mega Force Records - 1984 release).
How or why this happened is unknown.
The "American" band
Raven formed in the mid '60s.
The "British" band The Raven formed
in the late '70s.
When "American" band
Raven toured England in 1969, they brought
with them 50 copies of their Live at the Inferno album (Discovery
Records - 36133). This
might be the connection to the
"British" band The Raven getting the idea for their name and
similar "live" album title.
____________________________
Stan and the Ravens
"The
late Stan
Szelest"
(1943-1991)
- piano, harmonica and vocals.
Sandy
Konikoff - first drummer.
Chuck
McCormick
- first lead guitarist.
Ernie
Corallo - second lead guitarist.
Charles
'Rebel' Payne - first bass guitarist. He also played with Ronnie Hawkins.
Peter
Haskell -
second bass guitarist.
Frank
Mahaney - third bass guitarist.
Nick
Salamone - sax and flute player.
"Stan Szelest was a living fountain of rock and roll piano, a one-of-a-kind player. His prescence, the way he could play piano, was overwhelming. I tried to play what Stan was doing with his left hand. I wasn't stealing. I was learning. One night, Stan gave me a look while I was copying him. He stared at me with a super-conscious look in his eye - and magic! - all of a sudden I got better at doubling his left hand. He had transmitted some powerful force to me. Stan could just give it to you if he wanted."
"The late Rick Danko" - Lead singer. Bass, violin, guitar - The
Band
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Don't Bother
Knockin... This Town's A Rockin... - This
book is based on the Buffalo, New York music scene. Unfortunately,
it
contains incorrect Raven history but is still considered a very
informative book on many other aspects.
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Special Mentions
Other
Rising Sons - Mike Bell
(piano) - Fred Meyer
(drums)
Graphic
Design - Columbia Records Raven album: Billy Moore.
"The late Paula Marie Gugino"
(1951-1998) - photographer and layout designer of Raven's Live at
the Inferno album.
"The late Billy Bosworth" and
"the late Eddie O'Shea" - special friends and former road managers.
____________________________
Forevermore...
"Like
Poe's bird, Raven is surrounded by spiritual ties . . . Five musicians who
have found themselves through their music and continually search for the
complexity of sounds through simplistic roots. I've only known the
men who call themselves Raven for a very brief time, yet, through their
music and their minds, I've known them now and forevermore."
Murray S. Krugman (quote -
liner notes - Raven - Columbia Records)
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